kellysearsmith
24 July 2007 @ 10:18 am
Memory Stather is a gifted South African artist, now settled in the UK, who works in a variety of media, but shows special talent in enamels. What's more, she is a certified gemologist, and I can't help but think her jeweled visions share much in common with her study of the plays of light upon earth in all its treasured forms. Those who love art nouveau will find a modern interpretation of it here, often but not always softer than deco, with a touch of breeze and whimsy and above all light.

I split her work samples below into two moods, one found earth and the other invented life.

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kellysearsmith
Examples of Chinese puzzle balls--also called mystery balls--are available, both ancient and modern. The intricately carved, orbital layers of windowed ivory, jade, wood, soapstone, and like materials demonstrate the exceptional heights to which the carving craft may be taken. The windows may be lined up with a stick in larger versions or quill or toothpick in smaller ones, to create a see-through effect, but most antique dealers advise against toying with these toys, lest they chip or, when dropped, shatter.

Antique ivory examples include elaborate pedestals, whereas more modern versions tend to be worked in "Hong Kong ivory" (also called Mandarin or synthetic ivory accordnig to the Puzzle Museum) which is a sort of resin-like substance made from compressed ground bone (no ivory is actually used). Some very fine modern versions exist, but prices reflect the level of craft. The crude, poorly carved instances are easily spotted. The carvings themselves are typically of traditional symbols, especially those said to promote feng shui (dragons, phoenix, flowers, peach tree, love birds).

According to radio86 "All About China," puzzle balls are usually made up of 3 to 7 layers (the Puzzle Museum says 5 to 20), with the outerlayers being the most intricately carved open facework. The largest puzzle ball had 42 layers.

The puzzle balls are made in the following way: "The balls are carved by turning a solid ball on a lathe. Holes are drilled towards the center and special L-shaped sharp tools are used to cut free the innermost balls. The tools are of different lengths and the one with the longest upright has the shortest cutter, and vice versa. The work starts off with the longest tool being lowered to the narrow bottom of each hole and rotated to cut the innermost ball free. The work progresses from the inside out. The two outermost balls are fused together to form a thicker layer so as to prevent breakage when the elaborate carvings of the outermost layer are made."

According to an article posted at the Puzzle Museum, Chinese ivory toy sets were created and sold for European export from 1820 to 1930. Small puzzle balls were just one of their lovely features (click link for images).






full and detail shots of a fine example held in collection by Bryant University





another example of an antique ivory carving, used more for ornament than play





an antique jade example, though not as finely carved as the others shown here





a Chinese puzzle ball as netsuke, in original box, circa 1900





a modern Chinese puzzle ball, worked in synthetic ivory

 
 
kellysearsmith
06 February 2007 @ 11:32 am
All too often, the artists who carved objects for daily uses and pleasures were anonymous to buyers and so to history. Yet, these objects are often of beauty and interest.

One such group of objects are meerschaum pipes, which have been popularized in the modern Western imagination through cinematic depictions of Sherlock Holmes (the meerschaum pipe originated with William Gillette's performance of Holmes on the New York stage at the turn of the 20th century, per the Encyclopedia Britannica Online).

Typical designs for meerschaum pipes are dominated by masculine subjects, as they were crafted for men's use. These included animals (especially dogs, horses, and predatory birds) and people (many busts, but some full-bodied, especially of society people, sailors, and pretty ladies), with a strong subcurrent of erotics / nudes (many of these, predictably, made in France); colonial subjects, such as safari animals, African kings, slaves, and Sultans; wilderness themes; and elaborate seafaring and architectural subjects. The bowls were also, in some more economical instances, polished smooth or carved in relief with vineyard and other agricultural images. German and Austrian variants include the meerclaw, in which a long stem ends in an eagle claw that holds the pipe's bowl and the silver capped "stein" model. Commemorative / memorial pipes were also sometimes produced. Stems are traditionally of amber, but may also have been carved of soapstone or hardwood.

Meerschaum yellows and browns with smoke.


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Meerschaum itself is a naturally occuring substance, a soft mineral (hydrous magnesium silicate), resembling ivory or soapstone, that hardens when exposed to the sun or left to dry in a warm area.

Per the wiki, "Meerschaum is a soft white mineral sometimes found floating on the Black Sea, and rather suggestive of sea-foam (German: Meerschaum), whence also the French name for the same substance, ecume de mer. It was termed by E. F. Glocker sepiolite, in allusion to its remote resemblance to the bone of the sepia or cuttlefish. Meerschaum is opaque and of white, grey or cream color, breaking with a conchoidal or fine earthy fracture, and occasionally though rarely, fibrous in texture. It can be readily scratched with the nail, its hardness being about 2...

Meerschaum is found also, though less abundantly, in Greece, as at Thebes, and in the islands of Euboea and Samos; it occurs also in serpentine at Hrubschitz near Kromau in Moravia. It is found to a limited extent at certain localities in France and Spain, and is known in Morocco. In the United States it occurs in serpentine in Pennsylvania (as at Nottingham, Chester County) and in South Carolina and Utah."

Vienna was a traditional center for meerschaum carving, although modern day Turkey has taken over this role. After turning and carving, meerschauma artifacts were "smoothed with glass-paper and Dutch rushes, heated in wax or stearine, and finally polished with bone-ash."