15 May 2008 @ 09:55 pm
Peter Pan illustrations :D  
I recently bought a beautifully illustrated 'Peter Pan' book. Hopefully it will help me figure out my peter pan tattoo design. I took a few photos of some of the illustrations to share with you since they are too beautiful not to share. Artwork is by scott gustafson.

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Current Mood: chipper
 
 
15 May 2008 @ 02:32 pm
Because I wanted something fluffy to do  
A meme from [info]tinaya

Fluff filter )
Tags: ,
 
 
Current Mood: cheerful
 
 
15 May 2008 @ 02:50 pm
 
i thought maybe some of you would enjoy this painting of mine. art noveau isn't my only inspiration but i'm definitely in love with it and i guess it shows in my work..

night swim

 
 
15 May 2008 @ 07:06 am
Venice Art Walk  
The Venice Art Walk will run, or walk, this weekend. Along with works by 400 other artists,



this print will be in the silent auction.
 
 
15 May 2008 @ 10:13 am
So why did I get that degree again?  
I don't often talk about my day job here, but I'm an electrical engineer. That means I had to go to engineering school. That means that I had to learn about electromagnetic fields, including one class entirely about that topic. So why have I now not once but TWICE put magnets near a hard drive????

Seriously, this is getting rather embarrassing. First I lost a bunch of pictures from school when I packed my hard drive on top of a magnetic white board. Now I just walked up to my office and set a box of magnets that I packed from the refrigerator at the old house on a computer. I realized this about five minutes after the fact, removed the box, and turned on the computer. Everything worked fine, whew. But really. I should just remove all magnets from the house. What's next, deciding my ipod needs a magnet so I can stick it on the refrigerator?
 
 
Current Mood: embarrassed
 
 
15 May 2008 @ 02:35 am
House's Head  
I think this week's episode of House was one of the show's best.

I've liked how they've shaken up the show quite a bit and have moved away from the pretense of some of the cases being plausible, although I thought there were a few moments that almost came TOO close to laughing at itself.

As it was, this was a brilliant first part of the season finale, and it has confirmed what I've been wondering all season about a meta-plot and why House hasn't seemed as "with it" as usual.

There are quibbles (as always) to be had about some of the medicine and some of the absurdities of the show, but House is a television program and while they may strive for making sure the big words sound right and the equipment looks right, I don't expect it to be even close to the real world.

Instead, it gives me quality characters in a medical setting and boatloads of drama and comedy every week and for that I am grateful, and I can't wait for next week to see what shakes out of all this.
 
 
14 May 2008 @ 09:14 pm
Ents  
In the folly of youth I once gave serious consideration to the possibility that Tolkien’s Ents were created with reference to the animate trees in the Wizard of Oz (they appear in the books as well as the movie). Over the years I vacillated between considering the connection insufficiently profound to being struck by my own cleverness.

But the recent expansion of my experience of 1930s cartoons has made the point moot. They are rife with talking and walking trees (though one does not find such characters as frequently, for instance, in the 1950s cartoons I was more familiar with as a child), to the extent that Tolkien can claim no originality in merely creating the Ents, rather they must be considered a commonplace of popular culture that Tolkien borrowed and used for a more serious purpose.

This is the most obvious example I have to hand. It even has a character I indentify to A. without hesitation as a huron (and for that matter, an Entwife):






more Ents & some Dryads )
 
 
13 May 2008 @ 10:56 pm
Meditation on the Ravages of Civil Strife  
A snippet of Horace I translated to use elsewehre, but, finding the occasion to do so lacking, I place it here instead:

What does damned time not make worse?
The age of our fathers, worse than our grandfathers’, has born
Our more worthless selves, soon to bring forth
Offspring still more vicious. (Odes, 3.6.45-48)
Tags:
 
 
13 May 2008 @ 11:47 am
It's a Hallowmere Book Birthday!  
Congratulations to [info]dragonegg on her book "Maiden of the Wolf" in [info]tltrent's Hallowmere series!
 
 
Current Mood: excited
 
 
12 May 2008 @ 05:00 pm
Edison's 1900 Sidewalk.  
Extremely cross-posted.

This is courtesy of [info]waywarddream's reply to G. D. Falksen [info]squirrelmadness's post to [info]steamfashion on The Great Exhibition at The Crystal Palace.

Behold! See this one hundred and eight year old vintage motion picture presentation of Edison's Moving Sidewalk at the Paris Exhibition in 1900!

(Okay, so it's a year into the 20th century, but still...)
 
 
 
12 May 2008 @ 03:40 pm
Postcards! Gotcher postcards!  
The Bronze Dragon Codex postcards are now available! They are gorgeous! If you ever require a postcard, please visit Earthly Charms. They are very easy to work with, prompt, and produce a wonderful finished product!

If you would like a postcard, please comment with your email (appropriately disguised so bots can't find it) and I'll email you to get your address.
 
 
Current Mood: excited
 
 
12 May 2008 @ 08:25 am
Jason Van Hollander dips into Classic Imagery to Illustrate Attack of the Jazz Giants  
Jason Van Hollander dips into Classic Imagery to Illustrate Attack of the Jazz Giants

Attack of the Jazz Giants

Golden Gryphon Press chose the cover artist for Attack of the Jazz Giants, and in "Six-Degrees of Separation" event, they selected Jason Van Hollander, a multiple World Fantasy Award winning artist who also happens to live a block from me.


I live in an artistic community, though you wouldn't know it if you came to visit. On the surface, everything appears to be normal here, the way it would be if we'd all been taken over by pods from outer space. My next door neighbor, Bryan Willette, is a stained glass artist. Up the street is carpenter, and next to him a guy who builds movie sets. Across the street from Jason, a photographer. Behind us, a guitar virtuoso. A few blocks away, a children's book illustrator/writer.


This communal spirit created a rare collaborative bond between us. Not only was Jason showing me sketches for the cover, he was also proposing to include interior illustrations for the stories.



I printed out the stories that we'd selected for the collection and he read them. He asked questions about them. He followed me home in the dark. (You, you foolish people, you think I'm kidding.)We spent time in a few libraries, researching source material. I hunted up images of Bing Crosby and Bob Hope for him, while he invaded the stacks on a quest for odd Russian iconography for another set of drawings. He threw himself into the creation of the book, vanishing for days, weeks, at a time, only to turn up with another weird piece of carefully stippled illustration--of Elvis nailed up as Jesus, of a drug-warped head of Edgar Allan Poe topping the body of the Conqueror Worm, of the Virgin Mary reflected in the protective goggles of a face that looks remarkably like his own.



All of this time and effort he put into the project was out of pure love for it, because the publisher couldn't pay for interiors. They were getting them because he was compelled to create them.



Only two artists I've ever worked with have solicited opinions from me about the artwork they proposed to put on my books: Thomas Thiemeyer, who painted the magnificent covers for the Shadowbridge books; and Jason Van Hollander, whose strange and grotesque artwork is the personification of Arkham House the way it used to be--the distorted, twisted architecture of Innsmouth and a dozen other Lovecraftian landscapes.



Derangement turned inside out. And yet, like a diseased mirror, his work reflects the range of dark fantasy and horror and, yes, humor that lies between the covers of Attack of the Jazz Giants & Other Stories. I can't imagine these stories of mine now without the accompanying illustrations. And in the process I gained a mordant, talented, remarkable friend.



So long as his sly wit graces the neighborhood, I'll know that we've not yet been taken over completely by the pod people.











gf (with assistance from Don Lafferty)
 
 
Current Mood: warm & fuzzy
Current Music: "On the Road to Recovery"
 
 
12 May 2008 @ 01:40 am
Mij Gilamar's 2:15 minutes of fame  
Just to be clear, I'm the action figure, not the kid ;)

Actually, that reminds me I need to find a less smug git looking picture of myself for my avatar.

 
 
11 May 2008 @ 10:50 pm
Zeus  
I began to talk to A. (who will turn 5 in less than 5 weeks and is now walking again completely under his own power) about Zeus in connection with thunder. A. was remarkably afraid of thunder so I began to tell him that if Zeus did not send the rain the crops would fail and we would all starve and the thunder is Zeus’ announcement of his benefaction to us (his anxiety about storms is certainly rapidly growing less, though the power failure today did not help diminish it). What ought I to have told him, that there is no Zeus and vortex is responsible for thunder? In any case, that is all that I told him about the subject, except sometimes, when he is watching an old cartoon, to point out to him when Zeus is a character (I’ve also pointed out to him Persephone and Hades in the Disney Silly Symphony based on the Homeric Hymn to Demeter, but that has so far made no impression on him).

He knows that heaven is located in the sky. For a long time he believed it to be in the ceiling since, after one of the cats died, he asked his grandmother where it was and she pointed upwards: henceforth that became the white kitty that lives in the ceiling. He came to know generally from many old cartoons that people and animals, once they are dead, go to heaven—person-heaven, kitty-heaven, and dog- heaven, etc. Quite on his own, A. made the assumption that Zeus must be the ruling power in those regions. I have never once discussed with him matters of prayer, sacrifice, or worship.

This afternoon we went to the museum at the Cahokia Indian mounds. When we came out a bad wind storm with some light rain was ending (again, in connection with old cartoons that show the winds personified, I’ve mentioned to him that Boreas, Zephyr, etc. are Zeus’ servants). Without any discussion of Zeus for many days and absolutely no prompting from me, he looked up at the sky and said, “Thank you Zeus for sending the rain that waters the food that we eat. Today must be your birthday, so we should get you a present!” I told him that we don’t usually celebrate Zeus’ birthday, but I would certainly look up the modern dates of some of Zeus’ festivals for him. Then he looked down at the ground and thanked it for growing the food that we eat, and announced that it was the ground’s birthday too. Then he thanked the trees for bearing their beautiful flowers.

So far as I am aware, A. only knows ‘Jesus’ as a curse-word—that’s not quite true, last Christmas I told him the whole Christmas story (we have a crèche, of course) and emphasized that Jesus became a great teacher of social justice and, according to some (e.g. Hierocles, the governor of Bithynia ca. 300), a divine messenger. But that doesn’t seem to have made much impression on him and A. never mentions Jesus except in an oath.
 
 
11 May 2008 @ 10:49 am
 
slowly working on scroll-proportion painting. must have 20 layers of glaze so far...can't be sped up. perhaps i'll finish it in a month.
 
 
10 May 2008 @ 04:44 pm
A Day at the Poe House  
I visited the Edgar Allan Poe house (yes, yes, I was in the Poe house...so don't make that joke, I already did) this afternoon to hear a lecture by Edward Pettit, a local (Philadelphia) Poe expert. The subject of the talk, however, was author George Lippard, who was a good friend of Poe's--one of the few who stayed a friend of his to the very end.  Lippard was, in his day, a huge best-selling writer with his novel The Quaker City or The Monks of Monk Hall. It was, as Pettit informed us, a kitchen sink of a novel, filled with endless acts of depravity, nightmarish hallucinations, an evil cabal of the wealthiest men in the city, premonitory visions of the decayed Philadelphia of 1950, and, lest that fail to do you in, necrophilia.  No wonder it was so popular.

Lippard was a novelist, editor, publisher, and a proto-Marxist who campaigned for the rights of the downtrodden. His output was prodigious--approximately a million words a year for the ten years he wrote before his untimely death from consumption.  He is all but forgotten now (in fact he was referred to as a forgotten author by the 1870s), but Pettit and others are attempting to rescue
from obscurity this gothic novelist of grotesque and noir sensibilities.  And while we're at it, the same for Charles Brockden Brown!

If any of that sounds like fun, go to http://omnigatherum.com/blog.html
where you can read pieces of Lippard's work; or to Pettit's Ed and Edgar blog at http://bibliothecary.squarespace.com/

gf out
 
 
Current Location: The House of Usher
Current Mood: chipper
Current Music: Dr. Tarr & Professor Fether
 
 
10 May 2008 @ 08:16 am
take me along!  


We need one of these.
 
 
10 May 2008 @ 12:53 am
Recommended: Suburban Glamour  


Jaime McKelvie does a lovely job on this tale of...well, suburban magic. It's got elves and rockabilly girls and some of the most gorgeous linework you'll see this year. Jaime did a wonderful job on the Phonogram series with Keiron Gillen and it's amazing to see him get better with each panel.

That said, the linework in this comic is hard to beat. The characters feel real, and by that I don't mean photorealism, I mean the comic book world has finally found someone who can draw facial expressions and body language into a comic and make it speak volumes.

The story is quite lovely too, although I don't want to give too much away.

See more of his work at his workblog at:
http://mckelvie.wordpress.com/2007/

You won't be sorry.

The fourth issue is just shipping, but any good shop should do reorders, and with something this good it deserves your support in singles.
 
 
09 May 2008 @ 01:48 am
Gingerbread House in Brooklyn, NY.  
A very rare example of transition from Art Nouveau to Prairie Style in Bay Ridge, Brooklyn, NY. This mansion was build by J. Sarsfiled Kennedy in 1916-17 and reminds locals of Gingerbread House.

Gingerbread House, Black Forest Art Nouveau
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